Sunday, July 5, 2009

birdwood days

.
We all have three types of vision--historical, present, and future. Where you are in life and where you will go from here has a lot to do with what type of vision you allow to dominate your thoughts, decisions, and actions.

A person whose actions are dominated by historical vision believes that just about everything that's important, enjoyable, or significant in his or her life has already happened.

so says a guy in a book (a physical-fitness book, for chrissakes) from which i wasn't expecting such a frontal assault on my psyche--but, boy, did he nail my ass to the wall anyway.

as i process his little insight, allow me to offer up yet another historical vision from my apparently endless supply.

inspired by an idle google-earth search i conducted one night awhile back, i intended to post this thread in regular installments once it was completed. since i now realize that may or may not ever happen--and since i have fuck-all otherwise--i'm gonna go with what i have for now.

* * * * *

consider for a moment the following aerial photo:



it could be anywhere, USA, but this anonymous agglomeration of urban sprawl is in actuality a recent snapshot of a portion of suburban houston.

here's the specific area of that portion that holds my interest (and if you're gonna actually read what follows, then yours as well)


because there was a time when this insignificant little triangle of nowhere was my whole fucking world.

* * * * *

to this day i have no idea how we ended up in braeburn glen--maybe my dad threw a dart at a map, who knows.

all i know for sure is that in august 1960, my mother, baby brother and i were told we had been "transferred," and were suddenly uprooted from our bleak little 2/1 rent-house in deep-cajun louisiana and plopped down in the middle of a flat, treeless, mosquito-ridden, brand-spanking-new subdivision in southwest houston its developer had, no doubt--and without apparent irony--named for its unmistakable resemblance to fuckin' scotland (glengarry/glen ross, anyone?).


but fuck the how or why--this was america in 1960, and all around us were young families just like ours who, almost from the moment we drove up in front of our new house on birdwood road and got outta the car, drew us immediately into the fold and made us feel at home.

this was our street (minus most of the trees back then, of course)


remarkable, huh? and this was our house



and these were our neighbors of consequence, both good and bad--the ones i'll be talking about in this and succeeding posts



more than a few of which--half a century later, and regardless of where we've all ended up--are still our friends to this day.

* * * * *

1. the joneses




"dear god, what's the little bastard up to now?"

this from laverne ash, ex-army broad, two houses down to the left, my mother's best friend.

the women are gathered in our front yard, lawn chairs circled, coffee cups and cigarettes in hand, passing a companionable afternoon while dinner cooks and their husbands work their way home--and, as usual, i'm stealthily underfoot, soaking up every word.

even as she speaks, all heads swivel as one to the house across the street, because we all know immediately who she's gotta be talking about.

steve jones--eight years old, dennis the menace, terror of the neighborhood.

and sure enough, there he is, dragging his mother's precious pram outta the garage.

"uh oh, he's got the pram--where the hell is mary ann?"

pram, you ask? allow me to explain: when dan and mary ann jones spawned their third kid, matthew, a simple stroller wasn't enough--no, they dropped untold buckets of dough on this big, elaborate english baby carriage to trundle him around in. it was called a perambulator, or "pram," they explained to us, the unwashed. picture acres of navy-blue canvas, chrome fittings and big wheels with inflatable tires (or just look at the following picture--minus the nanny--for a pretty good idea of what i'm talking about here).



needless to say, if the joneses weren't the laughingstock of birdwood road before the pram, they quickly became so afterwards.

but at the moment, none of that matters to this group of frugal, cost-conscious housewives--all they know is, the thing is big and fragile and expensive and here's little steve treating it like it's a throw-away toy.

first, he wheels it outta the garage to the top of the driveway, at which point he lets it go. it rolls down the driveway, picking up speed rapidly. at the last possible second, he dashes after it and catches it just before it hits the street. he then drags it back up to the top of the driveway, waits for a passing car to turn the corner, times the drop for just the right moment, lets it go again, races it down the driveway and averts a collision by milliseconds.

the women are incredulous--i mean, at some point, his mother's gotta look out the kitchen window, right? then they stop themselves and laugh--like mary ann's ever caught her precious angel at anything his whole goddam life.

see, steve was the original bad seed, and everybody on the block knew it but his clueless parents.

most folks up and down birdwood road got their first introduction to steve jones when they looked up and suddenly found him in their house--no knock, no doorbell; he was just there, rifling through their stuff as they were moving in.

as the women watch his antics across the street, they rehash their steve jones stories, because everybody has one.

my mother leads with her perennial favorite: how, as the movers were still lowering the ramp on the truck, she walked into the guest bathroom of her first-ever brand-new house just in time to catch the little boy from across the street with his pecker out, reared back and spraying huge arcs of piss all over the mirror.

the women all laugh as mrs. harberger (next door to our right)--good catholic, paragon of virtue, never said anything bad about anybody--tells how she looked out her sliding-glass door one day to find little steve, hardly more than a toddler at the time, dangling from high atop a ladder at the house under construction behind hers.

"sometimes," she says, "i wonder if god made a mistake putting me there to catch him."
 
because he really was that bad--but back to the story at hand.

when little steve gets tired of playing chicken with passing traffic, he begins a new game, madly dashing down the sidewalk with the pram, then screeching to a halt, spinning the thing on a dime, running full-blast in the other direction, then suddenly changing course, skidding it sideways, turning on two wheels as he reverses field--all the while shrieking at the top of his lungs as he flings the carriage hither and yon.

one of the women: "he's gonna tear that thing to shreds; another five minutes and there'll be nothing left of that pram."

another: "pram, hell--what about the baby?"
 
they all laugh but it trickles to an uneasy stop as they all sit up and look at each other as mary ann's nasal minnesota whine comes wafting from her kitchen window.

"steeeeeeeven, bring matthew in for his nap now!"



Friday, July 3, 2009

with me, it's always the little things

.

the terrain of my coffee table rarely changes: there's always the magazines, the pile of unpaid bills, the car keys, the coasters, the remotes, the old powerbook i shoulda sold long ago but can't let go of, the arne jacobsen salad bowl full o' crap, the ever-present mkf cocktail in its cheap plastic cup--i.e., the usual.

which is why when something new shows up there, no matter how small, even i, from the drunken vantage point of the eames chair into which i invariably sink at the end of each day (and from which sumptuous depths all guttermorality goodness flows), tend to take notice.

the first thing was a little speck of brown plastic i caught outta the corner of my left eye one night--out of all the crap among which it nestled, i zeroed in on it, realized what it was, knew why it was there, smiled to myself and left it exactly where i found it.


at some point later, the following appeared on the side of the coffee table next to my chair:



at first, i just thought it was something that had crept under the glass--an irregularity that needed to be cleaned. upon closer examination, it turned out to be



tonight i did what i do on most nights when i miss him--i moved the two together and just sat there and looked at 'em.



i love you too, my broken monkey, even if it's only in my own, weird way. i hope to sleep next to you this tuesday night.

Wednesday, July 1, 2009

damn, those gates look familiar

.
one of the more surreal aspects of life in los angeles (and trust me, there are many) is the constant commingling of tv reality and real reality with which we angelenos are forced to deal--especially, it would seem, when you live where i do.

see, i live in an isolated little canyon between beverly hills and mulholland drive which you can't get into or out of in either direction without traveling through far wealthier areas--you know, the kinds of places where shit happens that makes the news.

for instance:

1. i remember a few years back when a particular celebrity couple were about to bring their new baby girl home from the hospital--it was all anybody could talk about on television, and no matter what channel i flipped to, it was the same shot: some dumbass field reporter surrounded by a dozen satellite trucks in front of this pair of gates that i recognized, but try as i might, couldn't say exactly where i'd seen 'em.

whatever--i was on my way out the door. i flipped off the tv, grabbed my keys, headed down the canyon into beverly hills, turned left on hartford, then on lexington--my usual route when heading east towards the strip and beyond.

when all of a sudden, something unexpected stopped me in my tracks: ahead of me, at that point at which lexington fades right into alpine down to sunset--framed in my windshield just as it had been on my tv--was the instantly-familiar tableau of news vans and reporters doing their stand-ups in front of the very self-same white wrought-iron gates i couldn't quite place not five minutes earlier.

wow, who knew i passed right by tom cruise's house every goddam day?


2. it was late, i was hungry and there was nothing in the house--a familiar problem, always solved the same way: grab the keys, head up the canyon to mulholland, hang a left and then a quick right down beverly glen into the 24-hour fast-food capital of the world (i.e., the san fernando valley).

i remember that on this particular night i had decided on the taco bell on ventura, it being the closest. as i crested the hill and made the left onto mulholland, instead of the deserted, moonlit stretch of curving asphalt i was accustomed to at this time of night, i was greeted with a most unexpected sight: up ahead, a pandemonium of red-and-blue flashing lights, mobs of photographers and a line of police motorcycles halting all traffic (i.e., me).

i stopped, but before i could even roll down my window to ask the flashlight-waving officer what the fuck, the gates to the exclusive enclave which was the subject of all this attention swung open, and then suddenly there was this motorcade whooshing by, complete with sirens blaring and an ambulance as its centerpiece. the paparazzi and motorcycle cops quickly followed in its wake, leaving me there all by myself in the middle of the road.

as the gates slowly closed, i sat there for a minute in the sudden silence, thinking, "oh, this is gonna be good," then continued on my way.

back home, munching my nachos bell grande (with onions and extra sour cream), i turned on the tv, flipped through the channels--nothing. tmz had it, though--as soon as the page loaded, i spotted those familiar gates, along with the headline, "britney spears rushed to hospital after stand-off with police."

and just think--i was the first to know.


3. today. i'm on the westside in the middle of the afternoon, so i use my special shortcut to avoid traffic and get home--cut up beverly glen, right on charing cross, hook around the playboy mansion to sunset, take my right, get over quick in order to hang a left on--

holy shit, they've blocked off carolwood--what the fuck is going on?

i slow down to get a good look. it's then that i see it, just like it's been on tv for the past five days--the crowds, the cops, the flowers surrounding the gates i hadn't quite been able to place, even though i'd passed 'em a thousand times.

as the line of cars honks furiously behind me, all i can think is, "ah, this is so totally gonna fuck up my commute for the forseeable."

a little revenge beyond the grave for that post i just wrote about you, huh, michael?

Sunday, June 28, 2009

this really is the way i think

.
searching old emails to v for something specific tonight--don't find it, but i do come across this from a couple years back:

so i'm watchin leno and he has this segment called "you make the call" in which an audience member must decide whether the onstage talent can actually follow through on whatever dumbass thing they say they can do. and the blender guy comes out--you know, that strange guy from the infomercial pushing the uber-blender that can do anything. and the challenge is: can the blender demolish a wooden rake handle in less than 15 seconds? audience member says yes, but i'm thinking no goddam way, it's only a fucking blender--but sure as shit, guy feeds the rake handle into the blender and it makes mincemeat of the motherfucker in, like, 8 seconds--unbelievable. so while the audience is applauding wildly, i'm like, note to self: woodchipper ain't handy, this is the next best way to get rid of a body.

i have since acquired one of those blenders--makes a hell of a smoothie.

Friday, June 26, 2009

because somebody's gotta ask the tough questions

.
the only interesting reaction i've heard to michael jackson's death is the first one--when a secretary burst into into the break room yesterday with the news that he'd been rushed to the hospital in terminal cardiac arrest, the co-worker i was talking to said, "gee, i hope it's not a children's hospital."

it's been downhill from there.

for the past two days, i've heard all sorts of dumbass shit on the subject, the pinnacle of which was something a radio talk show host on kfi said today--something to the effect that "he was nothing more than a rich, talented pedophile; i'd gladly give a thousand michael jacksons for every american hero who's died in iraq or afghanistan."

really, mr. talk show host? tell me, who do you think's more important in the overall scheme of things--the genius who dreamed up the great pyramid, or any one of the thousands of anonymous guys who died building it?

another way of asking the question: can we really compare queen bees to worker bees, much less hold 'em to the same standards of behavior?

from the beginning of time, we humans have made gods of our best and brightest--and then, more often than not, watched all that collective adoration transform them into monsters--monsters who require a steady diet of human sacrifices in order to supply us with a steady stream of their magic.

so, was all the sheer, gorgeous talent the world managed to wring outta michael jackson before he flamed out worth the sacrifice of tossing him a boy every once in awhile?

i dunno--you tell me.


Saturday, June 20, 2009

yet another cheery post

.
[a portion of a comment i just made to a post by one of my new favorite bloggers]

even though i'm agnostic as hell, believe in no afterlife and couldn't care less whether i'm buried or cremated--even though all that's true, i can't help but shiver at the thought of all the indifferent professionals who'll ultimately end up bagging, cutting, embalming and laughing at my poor, dead body.

that make any sense?


sober update: believe it or not, i thought this was really important and insightful last night.